Sabri Zekri is a theatre researcher, teacher, director and performer. He received his Bachelor’s degree in Theatre Direction and his Master’s degree in Theatre Studies. In 2010, Sabri founded the Recycling Performance Factory International Theatre Company and in 2016, he created the Mirada Experimental Theatre Association. Since 2008, Sabri has directed several theatre plays and organized various theatre workshops in South Korea, Egypt, Greece, Poland, Spain, Portugal and Iran. Sabri is currently a PhD researcher in the Doctoral Program “Women's Studies. Gender discourses and practices”, developing his research on the actor's body and gender in the theatre.

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CURRICULUM VITAE>>

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ACADEMIC EDUCATIONS.

 

2004-present>>

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PhD in Women’s studies. Gender discourses and practices, University of Granada 

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Master's degree in Theatre Studies, University of Lisbon

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Certificate in Actor's training, Distance University of Leeds

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Certificate in The World of Shakespeare, Distance University of Warwick

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Bachelor's degree in Theatre directing, University of Soore

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Diploma in Advanced Theatre Acting, Jam-e-Jam Institution

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Diploma in Film-making, Youth Iranian Film Society

 

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GIVEN COURSES AND WORKSHOPS.

 

2010-2020 >>

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Creative Theatre. Recycling of the interpreter's gender in theatre, La Madraza. Centre of Contemporary Culture, University of Granada

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Creative Theatre, Albaicín Civic Centre, Granada

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Creative Theatre, CPA “ANICA TORRES”, Ayuntamiento de Benalmádena, Delegación de Bienestar Social, Malaga

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Reflecting Islamophobia and gender in the theatre, Asociación Marroquí para la integración de Inmigrantes, Malaga

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Masks creation, Sala de teatro La Cochera Cabaret, Malaga

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Improvisation with masks, Atropos Theatre Company, Tessaloniki

 

Masks creation, Studio Emad Eddin Foundation, Cairo

 

 Oral-Visual Persian Storytelling, Centro de Formación Teatral El Galliner, Girona

 

Biomechanics course, the rhythm and time in the narrative body, Cairo Contemporary Dance Centre

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DIRECTED PLAYS.

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2008-2019 >>

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Iphigenia Here

Certamen de Teatro por la Igualdad “Mariana Pineda”, Organizada por el Servicio de Igualdad del Ayuntamiento de Granada y la Delegación de Igualdad y Juventud de Diputación de Granada Teatro Municipal Isabel La Católica, Granada

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All memories of the actor of king Ricardo II

- María Victoria Atencia Cultural Centre, Malaga

- XVII Encuentro Internacional de Teatro Universitario, Granada

- III Festival Semana das Escolas de Teatro, Porto

- XVIII Festival Anual de Teatro Académico, Lisboa

- La Cochera Cabaret Cultural Centre, Malaga
- Malaposta Cultural Centre, Lisbon

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Persaphone

Asociación ESPAI OBERT de SANT, Barcelona

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 Once upon a time, Yesterday, Today and Tomorrow

Mactabah Damaah Cultural Center, Cairo
Darb1817 Egyptian Contemporary Art Centre, Cairo
El Nahda- Jesuit, Cairo

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 The Oresteia

Greek Cultural Center, Tehran 

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Infinity

The Centre for the Study of the Hellenic Language and Culture, University of Ioannina

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Prometheus return

Greek Cultural Center, Tehran

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PUBLICATIONS.

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(2019). Portuguese Theatre (I). Gil Vicente, Autos das Barcas: Inferno, Purgatório, Glória,Tehran: Shabesher.

ISBN: 978-600-597205- 4

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(2017). «Recycling Performance Plant», Tehran: Namayesh, Vol. 224. p. 49-55.

ISSN: 17350190

 

(2017). «Comparison between Portuguese "black man" in Portuguese classic plays and the Iranian "black man" in Iranian traditional plays», Tehran: Namayesh, Vol. 219. P 76-82.

ISSN: 17350190

 

(2018). Participation in point of 2 – Arcadas, parte que reunie todos los informes: «The Parade of Apollo vis-à-vis of Dionysus» in Anabela Mendes (org.), Teatro e Tribunal – Vida e Labirinto, Lisboa: CECC, UCP, Universidade Católica, p.112- 116.

ISBN: 978-989-689-791-8

 

(2012). Sunrise in Cartoucherie, Work Méthode Expérimental avant garde de Théâtre du Soleil, Tehran: Ghatreh.

ISBN: 978-600-119-451-1

 

(2010). «Postmodernism and cinema», Tehran: Sooreh magazine, Vol.2.

ISSN: 17350190

   

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